A Fine Pelham Blue Melody Maker

This extremely rare Pelham Blue Melody Maker weighs 6.80 lbs. and has a nut width of just under 1 5/8 inches and a standard Gibson scale length of 24 3/4 inches. Solid mahogany body, one-piece mahogany neck, and rosewood fretboard with 22 jumbo frets and inlaid pearl dot position markers. Headstock with gold silk-screened "Gibson" logo. Closed-back dual-line Kluson Deluxe strip tuners with white plastic oval buttons. Serial number ("001510") stamped on the back of the headstock. Two hot Melody Maker pickups (white plastic-covered single-coil pickups without adjustable poles) with outputs of 6.97k and 7.13k. Single-layer white plastic pickguard with ten screws. Four controls (two volume, two tone) on lower treble bout plus three-way sliding selector switch mounted on pickguard. Black plastic bell-shaped knobs with metal tops. The pots are stamped: "137 6641" (October 1966). Stud wrap-around bridge/tailpiece with pre-set intonation and Maestro vibrato tailpiece. This rare Pelham Blue Melody Maker is in exceptionally fine (9.00) condition, with only a few tiny chips on the edges, a small amount of finish checking, and the absolute bare minimum fading to green. Housed in it's original Gibson brown 'Aligator' softshell case with brown felt lining (8.75).

The single pickup Melody Maker was introduced in early 1959, both in regular and 3/4 size versions, as the newer budget model in the solid body line. A dual pickup version was subsequently listed in late 1959. Between 1959 and 1965, the Melody Maker trio kept the same basic specifications but went through two successive body redesigns. The first variant is characterized by a single cutaway shape identical to the original Les Paul Junior except for a thinner body. The instruments made up to mid-1960 also feature a slightly wider pickup cover (7/8") whereas those subsequently released have a narrower unit (5/8"). In early 1961 both the regular and the 3/4 size versions were modified with a double cutaway shape produced by creating an upper horn symmetrical to the lower one (the Melody Maker was about the only solid body in the early 60s not to be fitted with the highly contoured SG design with pointed horns). A further redesign took place in early 1965 when the model took on a double cutaway body with more pointed sculptured horns positioned farther away from the neck. At the same time the body edges became slightly more rounded and the standard finish was changed from sunburst to cherry red. Eventually, the new body shape did not prove very pleasing and in February 1966 the Melody Maker was fitted with the SG body style. The SG-styled Melody Makers were phased out in 1971. See A.R. Duchossoir, Gibson Electrics -- The Classic Years, pp. 215-216.