The Best Totally Original Mid-Sixties Bill Wyman Bass You Will Ever Find… [SOLD]...

This 13 inch wide, 2 1/5 inch deep, single-bound laminated maple hollow body arch top teardrop shaped bass weighs just 6.50 lbs. The body is a rich see-thru cherry color and features a single-bound specific shape curved sound-hole. The laminated maple neck is bolted to the body with four screws securing a metal neck plate. Single-bound rosewood fretboard with a short-scale length of 30.00 inches, a metal nut, zero fret, 21 original thin frets and pearloid dot position markers. The nut width is an amazingly thin 1.40 inches and the neck profile is medium-to-thick, going from 0.86 inches behind the first fret to 0.97 behind the 12th fret. The neck is single-bound and has a "Wyman Bass" decal in black on the face of the headstock. On the back of the headstock stamped in black is "Made in Italy by Vox". The four on one side tuners are a smaller version of the Individual Kluson style bass tuners with cloverleaf buttons as used on Fender basses of the sixties, but with just three securing screws on each one. Single 'Butterfly' string-tree across D & G strings. Serial number "298452" stamped on metal neckplate between the top two screws. Two single-coil Vox bass pickups with four pole-pieces set in white plastic with metal surrounds with outputs of 5.78k and 5.00k. Two controls (one volume, one tone) plus a three-way pickup selector switch all on a metal plate with the jack input. Vox chrome plated control knobs, each with a black rubber ring. Tear-shaped chrome-plated pickguard with "Vox" engraved in gold. Combined Vox bridge/tailpiece with two adjustable threaded saddles and chrome-plated metal cover with impressed "V". Original black padded protector pad on back of guitar with eight fasteners. This closet bass is totally mint except for some light finish checking - which is why we only give it a near mint (9.25) rating. Complete with the original "Vox Precision Sound Equipment / Jennings Musical Industries Ltd / Dartford, Kent, England" polishing cloth in its original two-tone blue plastic bag. Housed in it's original Vox three-latch shaped dark gray hardshell case with orange plush lining (9.25).

The Vox Wyman bass was designed in 1965 using elements of the Vox "Phantom Mark III" teardrop design-later called just the "Mark" series and has some of the features from Rolling Stone Bill Wyman's preferred Framus hollowbody basses. His bandmate Brian Jones had been using the prototype solid teardrop guitar for much of 1964 and 1965, and Vox was eager to secure another Stone as an endorser. The laminated maple short-scale neck is very narrow, which was Wyman's preference. Like most production Vox instruments after 1964, this guitar was built in the Eko factory in Recanti, Italy. This is a very light, easy-playing bass with a surprisingly punchy and well-defined tone... definitely one of the better Vox designs. Wyman himself used his prototype for several years in the mid-late 1960's before moving on to Fender and Dan Armstrong basses.

"By 1964, the British music scene was exploding with bands like the Beatles, the Rolling Stones, the Animals, the Dave Clark Five, and the Hollies—all of whom used Vox amplifiers. Jennings started to pitch Vox guitars to all the major acts, which made them immensely popular, and resulted in a huge demand for the instruments. To keep up with the request for more Vox guitars, Jennings contacted Welson, a small Italian manufacturer who began building a limited number of inexpensive single-cutaway jazz box guitars that were added to the Vox line. Later, a larger Italian guitar manufacturer called Crucianelli was hired by Jennings to build semi-hollow electric guitar models bearing the Vox name.

British production of Vox guitars continued simultaneously, and it was common to have the same models built in both factories. British-made Vox guitars have sequential serial numbers stamped on the back of the headstock (and later on the neck plates), while the Italian-made guitars have a different set of serial numbers that is always stamped onto the neck plates." (Andy Babiuk, Vintage Guitar Magazine).