The Two-Pickup Version of the Les Paul TV Junior

This super 12 3/4-inch-wide electric solid body weighs just 7.20 lbs. and has a nice, fat nut width of 1 11/16 inches and a standard Gibson scale length of 24 3/4 inches. Solid mahogany body, one-piece mahogany neck, and bound Brazilian rosewood fretboard with 22 frets and inlaid pearl dot position markers. Headstock with inlaid pearl "Gibson" logo and "Les Paul Special" silk-screened in gold. Single-line Kluson Deluxe strip tuners with white plastic oval buttons. Serial number ("7 7005") inked on in black on the back of the headstock. Two P-90 pickups with very hot outputs of 8.28k and 8.03k. Five-layer (black/white/black/white/black) plastic pickguard. Four controls (two volume, two tone) on lower treble bout, plus three-way pickup selector switch on upper bass horn. Black plastic bell-shaped "Bell" knobs. The potentiometers are stamped: "134 649" (CentraLab December 1956). Original combination wrap-over bar bridge/tailpiece. This guitar has been expertly refretted with the correct gauge fretwire and the Brazilian rosewood fretboard is nicely figured. There is the usual fine body checking, but the only wear on the guitar is on the top upper edge and top lower edge. The wear on the upper edge is from the previous owner's arm, but we believe that the wear on the lower edge is the result of an indentation that has at some time been "sanded" out. The control backplate was missing, and we have supplied another original example, but only two of the four screws line up exactly. In addition, the "wing" on the treble side of the headstock has been expertly re-glued into place. With all that said, this guitar is a still a great example, with a neck to die for...and a sound to kill for! Housed in a later black hardshell case (8.75).

"In 1955, Gibson launched the Les Paul TV, essentially a Junior but with a finish that the company referred to variously as 'natural', 'limed oak' and (more often) 'limed mahogany'. Surviving original TV models from the 1950s reveal a number of different colours, with earlier examples tending to a rather turgid beige, while later ones are often distinctly yellow. Today there is much debate about where the model's TV name came from...One such theory says that the TV name was used because the pale colour of the finish was designed to stand out on the era's black-and-white TV screens. This seems unlikely, not least because pro players appearing on television would naturally opt for a high-end model...Others say the guitar followed the look of fashionable contemporary furniture, where the expression 'limed' was used for a particular look. Certainly Gibson promoted the Les Paul TV as being 'the latest in modern appearance'. There's also been a suggestion that 'TV' might be a less than oblique reference to the competing blond-coloured Telecaster made by Fender. But in fact the name was coined to cash in on Les Paul's regular appearances at the time on television on The Les Paul & Mary Ford Show. This was effectively a sponsored daily ad for a toothpaste company, for which the couple signed a $2million three-year contract in 1953. Gibson reasoned that if you'd seen the man on TV, well, now you could buy his TV guitar. Following a reader's enquiry to Guitar Player in the 1970s, a Gibson spokesman confirmed that 'the Les Paul TV model was so named after Les Paul's personal Listerine show was televised in the 1950s'" (Tony Bacon, 50 Years of the Gibson Les Paul, p. 28).

"In 1955, the original line of Les Paul models was completed with the addition of the Special, effectively a two-pickup version of the Junior, finished in the TV's beige colour (but not called a TV model -- a cause of much confusion since). The Special appeared on the company's Spetember 1955 pricelist at $182.50" (Tony Bacon, 50 Years of the Gibson Les Paul, p. 29).

The Gibson shipping records show that a total of 552 Les Paul TV models (both Juniors and Specials) were shipped in 1957.