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Stratocaster Guitars

1957 Fender Stratocaster

Color: Two-Tone Sunburst, Rating: 9.25, Sold (ID# 00269)
Call to Inquire: (818) 222-4113


Probably the Cleanest Original 1957 Stratocaster to be Offered in Recent Times

One-piece alder body, contoured on back and lower bass bout, and finished in two-tone Sunburst (yellow to black). This is the lightest Stratocaster that we have ever seen, it weighs just 6.90 lbs., and has that perfect '57 one-piece maple neck with a "strong V" backshape. A scale length of 25 1/2 inches, 21 frets, black dot inlays, and a nut width of just under 11/16 inches. Small headstock with individual Kluson Deluxe tuners with metal buttons and 'butterfly' string tree. Neckplate with four screws and serial number ("-21173") at top. Three white plastic-covered staggered-height pole pickups with balanced outputs of 5.62k, 5.85k, and 5.73k. Single-layer white Bakelite pickguard with eight screws. Three white plastic knobs (one volume and two tone) plus three-way selector switch. Six-pivot bridge unit with through-body stringing. The neck has a pencil mark of "5-57", the middle pickup cavity also has a date of "5-57", and the pots are dated 304 7 04 (Stackpole, 1957, 4th week). This near mint guitar has only a miniscule amount of belt buckle wear on the back, the usual lacquer checking, and a few small marks on the sides. The frets and fretboard show some minor playing wear - which is confined to the first six frets. Otherwise it's mint - it's quite simply the best example we've ever seen. Housed in its original Fender tweed case (8.50) with the original strap and bridge cover.

The Stratocaster was launched in 1954 -- samples around May and June were followed by the first production run in October - and it was priced at $249.50 (or $229.50) without vibrato. This new Fender guitar was the first solid body electric with three pickups (Gibson's electric acoustic ES-5, introduced five years earlier, had been the first overall). The Stratocaster also featured a newly designed built-in vibrato unit (erroneously called a "tremolo" by Fender and many others since), to provide pitch-bending and shimmering chordal effects for the player. This was the first self-contained vibrato unit: an adjustable bridge, tailpiece, and vibrato system all in one. Not a simple mechanism for the time, but a reasonably effective one. Fender's new Stratocaster vibrato also had six bridge-pieces, one for each string, adjustable for height and length. The Stratocaster came with a radically sleek, solid body, based on the shape of the earlier Fender Precision Bass, contoured for the player's comfort, and with a yellow-to-black sunburst finish. Even the jack socket mounting was new, recessed in a stylish plate on the body face. The Fender Stratocaster looked like no other guitar around -- and in some ways seemed to owe more to the contemporary automobile design than traditional guitar forms, especially in the flowing, sensual curves of that beautifully proportioned, timeless body.

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