1960 Gibson Melody Maker
An Early Melody Maker with a
'59 Les Paul Neck Profile
This super light guitar weighs 6.00 lbs. and has a nice, fat nut width of slightly over 1 11/16 inches and a full scale length of 24 3/4 inches. Solid mahogany body, one-piece mahogany neck with a huge '59 style profile. Rosewood fretboard with 22 jumbo frets and inlaid pearl dot position markers. Gold silk-screen "Gibson" headstock logo. Open-back strip tuners with oval white plastic buttons. Serial number ("0 7111") stamped in yellow on the back of the headstock.
'59 Les Paul Neck Profile
This super light guitar weighs 6.00 lbs. and has a nice, fat nut width of slightly over 1 11/16 inches and a full scale length of 24 3/4 inches. Solid mahogany body, one-piece mahogany neck with a huge '59 style profile. Rosewood fretboard with 22 jumbo frets and inlaid pearl dot position markers. Gold silk-screen "Gibson" headstock logo. Open-back strip tuners with oval white plastic buttons. Serial number ("0 7111") stamped in yellow on the back of the headstock.
1966 Gibson Melody Maker
Extremely Rare First Year Pelham Blue Melody Maker
This extremely rare Pelham Blue Melody Maker weighs just 6.50 lbs. and has a nut width of 1 9/16 inches and a standard Gibson scale length of 24 3/4 inches. Solid mahogany body, medium profile one-piece mahogany neck, and rosewood fretboard with 22 jumbo frets and inlaid pearl dot position markers. Headstock with gold silk-screened "Gibson" logo. Closed-back dual-line Kluson Deluxe strip tuners with white plastic oval buttons. Serial number ("900231") stamped on the back of the headstock.
This extremely rare Pelham Blue Melody Maker weighs just 6.50 lbs. and has a nut width of 1 9/16 inches and a standard Gibson scale length of 24 3/4 inches. Solid mahogany body, medium profile one-piece mahogany neck, and rosewood fretboard with 22 jumbo frets and inlaid pearl dot position markers. Headstock with gold silk-screened "Gibson" logo. Closed-back dual-line Kluson Deluxe strip tuners with white plastic oval buttons. Serial number ("900231") stamped on the back of the headstock.
1963 Gibson Melody Maker
A Fine '63 Melody Maker with Factory Maestro Vibrato Tailpiece
This super featherweight guitar weighs just 6.40 lbs. and has a nice fat nut width of just over 1 11/16 inches and a regular scale length of 24 3/4 inches. Assymetrical double cutaway solid mahogany body with rounded horns slightly pointing away from neck. One-piece mahogany neck with a nice medium profile, rosewood fretboard with 22 medium jumbo frets and inlaid pearl dot position markers. Headstock with gold "Gibson" decal. Open-back strip tuners with white plastic oval buttons.
This super featherweight guitar weighs just 6.40 lbs. and has a nice fat nut width of just over 1 11/16 inches and a regular scale length of 24 3/4 inches. Assymetrical double cutaway solid mahogany body with rounded horns slightly pointing away from neck. One-piece mahogany neck with a nice medium profile, rosewood fretboard with 22 medium jumbo frets and inlaid pearl dot position markers. Headstock with gold "Gibson" decal. Open-back strip tuners with white plastic oval buttons.
1961 Gibson Melody Maker 3/4
An Original Early Sixties Melody Maker for "Small Hands"
This super light guitar weighs just 5.40 lbs. and has a nice, fat nut width of slightly over 1 11/16 inches and a short scale length of 22 3/4 inches. Solid mahogany body, one-piece mahogany neck with a medium-to-thick profile. Brazilian rosewood fretboard with 19 medium-small frets and inlaid pearl dot position markers. Gold silk-screen "Gibson" headstock logo. Open-back strip tuners with white plastic oval buttons.
This super light guitar weighs just 5.40 lbs. and has a nice, fat nut width of slightly over 1 11/16 inches and a short scale length of 22 3/4 inches. Solid mahogany body, one-piece mahogany neck with a medium-to-thick profile. Brazilian rosewood fretboard with 19 medium-small frets and inlaid pearl dot position markers. Gold silk-screen "Gibson" headstock logo. Open-back strip tuners with white plastic oval buttons.
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